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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the pair achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of ill-health.

"I ended up injure myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and cracked about multiple ribs and fractured my arm."

After catching pneumonia and suffering from sepsis, he was put in an induced coma and remained in the hospital for half a year.

However, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is scheduled for publication next year.

"He was concentrated and very pleased with the new album that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense part of my life and for the music you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is distinct from being in a group, the connection is incredibly close," he continued.
"That was the case with us. We experienced so many extraordinary, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Early Life

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in the seaside town with his new family his caregivers, who altered his first name from his birth name to his adopted name, alongside his sibling Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly produced an EP.

Creative Collaboration

The duo were an distinctive combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a rare creative synergy.

Ball had developed a interest with synthesizers after viewing the band Kraftwerk perform on BBC program a popular series, and started to marry dark electronica to the soaring melodies Almond was writing.

Tainted Love became the UK's second biggest-selling single of the early 80s, selling millions of units worldwide. Together with successful tracks by Gary Numan, contemporary bands and Ultravox, it helped cleared the path for the synth-pop sound of the 80s.

The track was also included on their full-length debut, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my first home, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also caused problems. "Sudden riches allowed we could purchase newfound drugs to relieve the boredom" of press appearances and TV performances, Ball explained.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they managed to produce a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond went on to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

Following another break, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, that year.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the duo's new album as a homage to the New York club scene they visited while making their initial records.

He noted that his period in hospital had influenced the band's sound.

"I had unusual memories when I was in and out of hospital because I was on morphine," he told a publication.
"The new songs are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the experiences we had in the 1980s."

The last versions were finished only days before Ball died. It is due for release in Spring 2026.

By

Ashley Martinez

Elena is a travel writer and historian specializing in royal heritage, having visited over 30 royal residences across Europe and Asia.

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